In this way in the album you can find different aspects of the human being in order to trace an emotional path. In writing NaN we focused on aspects of human life that are often reduced to cold calculations. In our discography, lyrics always play a central role. In this album, a song in Turkish is added for the first time, to emphasize the importance of the places where we have the pleasureto perform. ![]() But, as for musical references, we cannot deny the emotional bond we have with some languages, because they are part of our culture, as for Italian and Portuguese, or simply because they mirror a culture and a place that welcomed us and made us become what we are, like English. Very often the choice is purely stylistic, the musicality of the language itself has a decisive value. Basically, more than reference bands we have places or genres of reference. ![]() To the union of these genres, only apparently in contrast, we must also add the influence of the new beats of Rio's funk, drone guitars and Turkish flutes. ![]() These are superimposed on the great songwriters of the Italian tradition, such as De Andrè, and the composers of the MPB (popular Brazilian music), such as Caetano Veloso, from whom we have certainly learned the importance of the narration that is done through the lyrics. Considering the variety of pop music we usually listen to, the inspirations range from Prodigy and Massive Attack to Death Grips and Dead Can Dance, staying in the mainstream. The musical references that best suit what we propose in this record are to be found in the work of artists who mix various genres, especially with electronic music.
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